I grew up in Raleigh at a time when the nuns taught at Our Lady Of Lourdes. They lived out back of the school and wore those imposing yet Holy Habits that commanded your adoration, attention, and, quite frankly, your fear. So, when they asked you to "sit up straight" with your "feet flat on the floor" and compose your letters properly according to the Palmer Method of Handwriting, you did just that! I believe it was at that impressionable age that I became infatuated with the formation of letters. When I was introduced to calligraphy in 1978, it was no wonder I fell in love with this beautiful art form. My first taste of the calligraphic world lasted no longer than one hour. The instructor turned a piece of chalk on its edge to form calligraphic works of art from A to Z on the chalkboard. That was that! But it was all I needed to fire the embers that had been sparked in elementary school. Watching the slow, rhythmical shaping of those letters was like listening to classical music. It was not until 1997 that I enrolled in my first formal calligraphy class. Boy, were my eyes opened! I knew I had a lifelong road of learning ahead of me. It's been 38 years since that white piece of chalk was laid on its side. I am still learning. Come learn with me!

Friday, March 20, 2015

Let Our Lives be Full of Thanks and Giving

I took a workshop from a woman who lives here in North Carolina, Catherine Langsdorf. She does a lot of wedding calligraphy, and right now, chalkboards are "in." She has managed to design huge boards for weddings. So, I talked her into coming to Raleigh and teaching my calligraphy guild. This is what I did in that workshop. She gave us helpful hints as to how to lay out a design on a huge piece and have it look like your rough 8x10 sketch. I obviously put this one out last Thanksgiving. 

"Let our Lives" is Copperplate. "And" is a take on Spencerian. "Giving" is both Italic with Foundational-like "g"s.

I used regular chalk.

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